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Bring Sacred Tibetan Art Into Your Space

Custom, Handmade Calligraphy

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  • New

    “If you want to know your past life, look at your present condition….” (16 x 12 in.)

    $175.00

    “If you want to know your past life, look at your present condition.
    If you want to know your future life, look at your present actions.”

    This teaching attributed to Guru Rinpoche expresses the Buddhist principle of karma in a very direct way. Our present circumstances are not random; they are shaped by causes and actions from the past. In the same way, our future is not predetermined by fate but is being created right now through the choices we make. The quote invites responsibility rather than fatalism. Instead of worrying about the past or speculating about the future, it encourages awareness of our current behavior, intentions, and actions. By acting with wisdom, compassion, and mindfulness today, we plant the seeds for a more positive future experience.

    The frame not included.

    This piece is handwritten using a calligraphy pen. It’s made to order and includes artist’s seal.

    Size: 16″ x 12″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • New

    Buddhahood Without Meditation, Nang-Jang (42 x 13 in.)

    $850.00

    This piece features an extract of the profound terma known as “Buddhahood Without Meditation: Advice for Making One’s Own True Face Evident as the Great Perfection That is the Inherent Nature”. It’s most commonly known among Tibetans as Nang-Jang, which might be rendered: “Refining Apparent Phenomena”. The work was revealed by the Terton Dudjom Lingpa (1835-1904).

    In the center I’ve included the Tibetan syllable “Ah” encircled with gold leaf. In Tibetan Buddhism, the “Ah” syllable signifies the unborn, unceasing nature of mind and phenomena. It points directly to emptiness inseparable from luminosity, the primordial purity of awareness before conceptual elaboration. Meditating on “Ah” functions as a direct introduction to non-arising, cutting through grasping at effort, meditation, and meditator. It is often associated with the dharmakaya and the spontaneous presence of rigpa, where appearance and emptiness are not two. Rather than cultivating a state, “Ah” reveals what is already the case: awareness resting in its own ground, self-knowing and self-liberated, beyond affirmation, negation, or gradual fabrication.

    Dudjom Lingpa’s account in the Nang Jang is in the form of a journal describing a number of visions and dreams that he experienced throughout his life. Indeed much of the text consists of Dudjom Lingpa quoting the deities and masters he encountered on these occasions. The knowledge he gained during his experiences spans the range of teachings on the “View” of the Great Perfection approach of the Nyingma school. It is a direct transmission so powerful that just hearing it read aloud ensures that the listener will escape the suffering of cyclic existence.

    Chagdud Tulku offered the following words in the introduction to the book “Buddhahood Without Meditation”, which I wish to echo.

    “Dharmakaya, the entire vast array of atemporal and pristine purity;
    sambhogakaya, the entire vast array of an unceasing display of peaceful and wrathful deities;
    nirmanakaya, the entire vast array that tames any being in any way necessary:
    I bow with devotion to Dudjom Lingpa, tamer of beings.”

    Frame not included.

    Size: 42″ x 13″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • Buddhahood Without Meditation, Nang-Jang (43 x 18.25 in.)

    $2,500.00

    This piece features an extract of the profound terma known as “Buddhahood Without Meditation: Advice for Making One’s Own True Face Evident as the Great Perfection That is the Inherent Nature”. It’s most commonly known among Tibetans as Nang-Jang, which might be rendered: “Refining Apparent Phenomena”. The work was revealed by the Terton Dudjom Lingpa (1835-1904).

    In the center I’ve included the Tibetan syllable “Ah” encircled with gold leaf. In Tibetan Buddhism, the “Ah” syllable signifies the unborn, unceasing nature of mind and phenomena. It points directly to emptiness inseparable from luminosity, the primordial purity of awareness before conceptual elaboration. Meditating on “Ah” functions as a direct introduction to non-arising, cutting through grasping at effort, meditation, and meditator. It is often associated with the dharmakaya and the spontaneous presence of rigpa, where appearance and emptiness are not two. Rather than cultivating a state, “Ah” reveals what is already the case: awareness resting in its own ground, self-knowing and self-liberated, beyond affirmation, negation, or gradual fabrication.

    Dudjom Lingpa’s account in the Nang Jang is in the form of a journal describing a number of visions and dreams that he experienced throughout his life. Indeed much of the text consists of Dudjom Lingpa quoting the deities and masters he encountered on these occasions. The knowledge he gained during his experiences spans the range of teachings on the “View” of the Great Perfection approach of the Nyingma school. It is a direct transmission so powerful that just hearing it read aloud ensures that the listener will escape the suffering of cyclic existence.

    Chagdud Tulku offered the following words in the introduction to the book “Buddhahood Without Meditation”, which I wish to echo.

    “Dharmakaya, the entire vast array of atemporal and pristine purity;
    sambhogakaya, the entire vast array of an unceasing display of peaceful and wrathful deities;
    nirmanakaya, the entire vast array that tames any being in any way necessary:
    I bow with devotion to Dudjom Lingpa, tamer of beings.”

    Frame not included.

    Size: 43″ x 18.25″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • Buddhahood Without Meditation, Nang-Jang (43 x 23 in.)

    $6,000.00

    This piece features an extract of the profound terma known as “Buddhahood Without Meditation: Advice for Making One’s Own True Face Evident as the Great Perfection That is the Inherent Nature”. It’s most commonly known among Tibetans as Nang-Jang, which might be rendered: “Refining Apparent Phenomena”. The work was revealed by the Terton Dudjom Lingpa (1835-1904).

    Dudjom Lingpa’s account is in the form of a journal describing a number of visions and dreams that he experienced throughout his life. Indeed much of the text consists of Dudjom Lingpa quoting the deities and masters he encountered on these occasions. The knowledge he gained during his experiences spans the range of teachings on the “View” of the Great Perfection approach of the Nyingma school. It is a direct transmission so powerful that just hearing it read aloud ensures that the listener will escape the suffering of cyclic existence.

    The top line of this piece features the title of the work. Below that I’ve included roughly the equivalent of the first page of this treatise which consists of hundreds of pages. I’ve chosen to combine three distinct Tibetan script styles.

    Chagdud Tulku offered the following words in the introduction to the book “Buddhahood Without Meditation”, which I wish to echo.

    “Dharmakaya, the entire vast array of atemporal and pristine purity;
    sambhogakaya, the entire vast array of an unceasing display of peaceful and wrathful deities;
    nirmanakaya, the entire vast array that tames any being in any way necessary:
    I bow with devotion to Dudjom Lingpa, tamer of beings.”

    Frame not included.

    Size: 43″ x 23″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • Heart Sutra (23.5in x 23.5in)

    $450.00

    This is piece features a portion of the Heart Sutra.

    The Heart Sutra is one of the most profound and concise scriptures in Tibetan Buddhism, encapsulating the essence of *Prajñāpāramitā* (Perfection of Wisdom). It teaches the doctrine of *Śūnyatā* (emptiness), emphasizing that all phenomena lack inherent existence. Central to the sutra is the phrase, “Form is emptiness, emptiness is form,” illustrating the inseparability of appearance and emptiness. In Tibetan Buddhism, the *Heart Sutra* is recited for purification, insight, and overcoming delusion. It is a key text for developing wisdom and realizing the true nature of reality.

    The frame not included.

    This piece is handwritten using a calligraphy pen. It’s made to order and includes artist’s seal.

    Size: 23.5″ x 23.5″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • “It is the mind that binds and the mind the frees.” (24 x 9.5 in.)

    $250.00

    Frame not included.

    Size: 24″ x 9.5″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • “Study like you’ll live forever. Practice like you’ll die tomorrow.” (38.5 x 9.5 in.)

    $375.00

    Frame not included.

    Size: 38.5″ x 9.5″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • “Though the view should be as vast as the sky, keep your conduct as fine as barley flour.” (24×18 in.)

    $450.00

    This is a famous quote by Guru Rinpoche. In it he cautions us against carelessness in the face of realization. “The view as vast as the sky” refers to recognizing emptiness, openness, and the non-dual nature of reality. It is a view free from fixation and beyond designations. Yet this vastness must never become a license for carelessness. “Conduct as fine as barley flour” refers to being exquisitely attentive to cause and effect, ethics, and compassion in everyday life.

    Frame not included.

    Size: 24″ x 18″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • “Study like you’ll live forever. Practice like you’ll die tomorrow.” (24×18 in.)

    $450.00

    Frame not included.

    Size: 24″ x 18″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

  • “Emptiness”, Tong Pa Nyi (10 x 7 in.)

    $65.00

    This piece features the Tibetan word for emptiness, སྟོང་པ་ཉིད་, pronounced roughly “tong pa nyi.”

    For this piece I’ve chosen a stylized variation of the Tibetan Tsuring script.

    The frame not included.

    This piece is handwritten using a calligraphy pen. It’s made to order and includes artist’s seal.

    Size: 10″ x 7″
    Medium: Calligraphy Pen

    Please note that each work is made to order which makes each one unique. Your piece could show some slight variation from the one which is pictured here.

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